Installation view, Rotwand Zurich, 2016
Installation view, Rotwand Zurich, 2016
Installation view, Rotwand Zurich, 2016
Installation view, Rotwand Zurich, 2016
Waves are too soft to break, 2016 (left); We Are Living on a Star, 2016 (right)
Pigment prints, framed
Installation view, Rotwand Zurich, 2016
Constellation (Movement of a Stone, 15 min, 15 min, 30 min, 45 min, 1h 15 min, 2 h), 2016
Carbon paper drawing with a stone, framed
Unique
30 x 24 cm ( 11 3/4 x 9 1/2 inch )
Installation view at Rotwand Zurich, 2016
Mikko Rikala
Shadow of a Bird on Marble, 2016
Pigment print, framed, diptych
40 x 30 cm ( 15 3/4 x 11 3/4 inch )
Edition of 5 (+2 AP)
Study of Variation (solidity / fluidity), 2016
Pigment print, framed
Edition of 5 (+2 AP)
30 x 40 cm ( 11 3/4 x 15 3/4 inch )
Mikko Rikala
Temporal Realm, 2016
Pigment print, framed
90 x 70 cm
Edition of 5 (+2 AP)
Mikko Rikala
I Have Seen the Horizon Through the Mist of My Breath (winter), 2016
Pigment print, framed
50 x 66 cm
Edition of 5 (+2 AP)
Empty Scan 4 (light glaucous blue), 2016
Wall paper
Edition of 5 (+2 AP)
Dimensions variable
Empty Scan 4 (dark tyrian blue),
2016
Pigment print, framed
Edition of 5 (+2 AP)
100 x 80 cm ( 39 3/8 x 31 1/2 inch )
Mikko Rikala
Glacial Erratic, 2016
Pigment print, framed
100 x 125 cm
Edition of 5 (+2 AP)
Mikko Rikala
Water Equals Time, 2016
Pigment print, framed
80 x 100 cm (31 1/2 x 39 3/8 in)
Edition of 5 (+2 AP)
Mikko Rikala
We Are Living on a Star, 2016
Pigment print, framed
72 x 55 cm (28 3/8 x 21 5/8 in)
Edition of 5 (+2 AP)
Mikko Rikala
A bit of Branch (Passage Through Various Materials), 2015
Pigment prints, framed
Diptych
70 x 52.4 cm, each
Edition of 5 (+2 AP)
Mikko Rikala
The Possibility of the Aleph, 2015
Pigment prints, framed
Diptych
34.6 x 27 cm, 29 x 21 cm
Edition of 5 (+2 AP)
Mikko Rikala
Debris of Presence, 2013
Pigment print
 on paper
100 x 75 cm
Edition of 6 (+2 AP)
Comes together with "Studio View", 2013
Mikko Rikala
Studio View, 2013
Pigment print on paper
30 x 20 cm
Edition of 6 (+2 AP
Comes together with "Debris of Presence", 2013
Installation view, Rotwand, Zurich, 2015
Installation view, Rotwand, Zurich, 2015
Mikko Rikala
Sea in my Pocket, 2014
Pigment print on paper
110 x 135 cm
Edition of 5 (+2 AP)
Installation view, Rotwand, Zurich, 2015
Mikko Rikala
Wanderer, 2014/15
Glas bottle, acrylic glass, wood, paper
30 x 38 x 30 cm
Edition of 2
Installation view, Rotwand, Zurich, 2015
Mikko Rikala
Vernal Equinox, 2013
Pigment print on paper
Diptych (comes together with "Summer Solstice", 2013)
50 x 65 cm
Edition of 6 (+2 AP)
Mikko Rikala
Summer Solstice, 2013
Pigment print on paper
Diptych (comes together with "Vernal Equinox", 2013)
50 x 65 cm
Edition of 6 (+2 AP)
Mikko Rikala
Three Forms of Decay,2013
Pigment prints on paper
Tryptich
40 x 30 cm, each
Edition of 6 (+2 AP)
Comes together with "On realtivity", 2013
Mikko Rikala
On relativity,2013
Pigment print on paper
31.5 x 21.5 cm
Edition of 6 (+2 AP)
Comes together with "Three Forms of Decay" (Tryptich), 2013
Mikko Rikala
Perpetual Swell, 2013
Pigment print on paper
50 x 65 cm
Edition of 5 (+2 AP)
Mikko Rikala
Cyclic Repetition, 2013
Pencil on paper, framed
45 x 65 cm
Unique
Mikko Rikala
Empty Scan 2, 2012
Pigment print on paper
61 x 45 cm
Edition of 5 (+2 AP)
Mikko Rikala
Empty Scan 1, 2012
Pigment print on paper
61 x 45 cm
Edition of 5 (+2 AP)
EXHIBITIONS AT ROTWAND
Mikko Rikala, 2015Mikko Rikala, 2016
Documentation Mikko RIkalaBiography
Born 1977
Lives and works in Helsinki/Finnland
“I read a piece of news about the story of the original one kilogram prototype, which exact weight was decided on in France in 1889. For some reason, the IPK, as it is known, has decreased in weight by around forty micrograms during a century. Hypothetically, it will have disappeared completely in 300 billion years. The birth of the Kilogram, nearly 150 years ago, feels not far from my time. It is part of modern history, yet, its future is unimaginable.
I recalled the story when I was sitting by my table, drawing kilometers on paper by repeating a single ten centimeter line ten thousand times. I found the slow-ness of my gesture so very different from any other human physical activity – someone walking that slow would appear to stand still - its end destination diffuse, still tangible; a line leading to the next one, to eventually become a distance. There, during this repetitious exercise, a meditative space, between the everyday world and the unthinkable, opened up to me.
I began to reflect on and compare philosophical thoughts of the East and concepts related to minimal art, to the experiences of the relativity of time, speed, distance, presence and absence. Repetition as a working method, with its voiding effect, challenges the fundamental notion of time and space. It offers new perspectives on how to perceive the nature of distance and the possibilities how to experience space, which seem to be unreachable to the rational mind.
My work Towards Nothing has philosophical background; I am trying to see behind the rational self, to uncover the relation between what is seen as rational on the one hand, and what is perceived as irrational on the other. My methods, techniques and concepts vary, but the core question is the same: What are the possibilities of Man to observe and understand the world beyond the rational mind? Art historical connections to minimalism and conceptualism provide a framework for the ideas on how I create a visual piece of work. Sol LeWitt asked for the irrational thought to be followed absolutely and logically. Likewise, rational thoughts can be followed irrationally, and, as in the case of the IPK, rational experiments can result in the discovery of something irrational.”
Statement by Mikko Rikala